What was one of the criticisms made when samba became adopted by the Brazilian government and promoted as Brazil's "national" music? For many, this represented a form of theft or cultural appropriation, as most of the artists who achieved fame were white and the genre was mostly developed by black musicians. Many objected to samba's roots in international dance styles such as tango and fandango and instead suggested local genres such as capoeira that were more distinctly tied to Brazil's population. Some found issue with samba's roots in Afro-Brazilian religious practices, particularly Candomblé, which they considered a form of "witchcraft." Many objected to the genre's dissemination on the radio, which they argued took the style away from its roots in Carnival. None of the above.

At first glance we can say that none is correct, since the samba was a dance that arises in Brazil in mainly deprived places, and most of all it was danced by African slaves.

Over time this dance became more known, and was considered one of the most important Brazilian dances due to the content of its lyrics or plots that speak about the rights of the human being and of the different genres more than anything.

At the time of the 30s it is when it reaches the radio and it is there where it becomes much better known.

Explanation:

The themes in the Morro samba speak of cunning, feminine behavior, slums, samba-canção shifts the focus to the subjective part of pain and ingratitude, mainly due to love suffering, and as a reminder of the bolero theme when not assuming a tone of complaint. It was considered a quintessential middle-class subgenre. Beyond "Ai, Ioiô", some other samba-canção classics were "Risque", "No Rancho Fundo", "Copacabana" and "Ninguém Me Ama".