Which question would you ask yourself in order to determine an intellectual response to music?

A: Do I like the music?

B: What memory does the music invoke?

C: Does the music make me want to move?

D: How does the music make me feel?

4. If you were going to make a curtain for a window that was two and a half feet wide and three and a half feet high, what size would your piece of fabric need to be?

Read the following entries. captive, adj. attentive, intent, fascinated, spellbound captive, n. prisoner, detainee, hostage Which word would best replace captive in the sentence below?

What type of community art would hang on the walls of a greek sanctuary

Who scored the musical version of the movie that's based on patricia resnick's story?

What purpose is served by the carved figures that adorn the entryways at chartres cathedral?

Which equation is equivalent to x + 11 = 16?

When visualizing and planning shots, filmmakers must make decisions about two elements of composition: what we see on screen and what moves on screen. What are these two elements commonly called? a. framing and kinesis b. mise-en-scène and action c.

In a fugue, each voice presents the subject and countersubject and then there is free polyphonic material called an episode. T/F?

What is perspective and why was it important in renaissance art?

Where do bronze sculptures of dr. seuss and his characters stand?