In Edgar Allan Poe's "The Philosophy of Composition," how does Poe say he creates contrast in the portrayal of the bird in "The Raven"?
A. The bird begins with kind news, and then it delves into sad news.
B. The bird's entrance is almost comical, and then it becomes ominous.
C. The bird talks a lot at first, and then it refuses to answer questions.
D. The bird's appearance is startling at first, and then it becomes commonplace.
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