How well known is Murray Bail on an international level

He is most well known for Eucalyptus, which won the Miles Franklin Award in 1999. His other work includes the novels Homesickness, which was a joint winner of The Age Book of the Year in 1980, and Holden's Performance, another award-winner. Reviewers recently compared Bail's Notebooks 1970-2003 with Proust, Gide and Valéry's. The Pages [2008] was shortlisted for the Miles Franklin Award. His latest novel, The Voyage, was released in November 2012.

Laurie Clancy[2] suggests that Bail is, with Peter Carey and Frank Moorhouse, one of the chief innovators in Australian short story writing, and that he was part of its revival in the 1970s. He notes that Bail is particularly interested in the relationship between language and reality, and that this is evident in his early short stories. Clancy says "the stories display the strange mixture of surrealist fantasy and broad satire of Australian mores that characterizes all of Bail's work".[2]

After early success with short fiction, Bail turned to the novel as a form commensurate with his vision of life's complexity, which emerges in all its perplexing intricacy in Homesickness. This first novel describes the unscripted, global travels of a group of Australian tourists to diverse museums, real and imaginary. His next book, Holden's Performance, dealt more overtly with issues of national identity and the diverse forces that shape individual character. His later novels explored related issues in terms of a key binary: in Eucalyptus, these are empirical knowledge and imagination, in The Pages psychology and philosophy. Bail prides himself, rightly, on being a novelist of ideas, who is determined to be audacious in his creations and to challenge reader expectations and complacency.[citation needed]

The standard study of his work is Michael Ackland's The Experimental Fiction of Murray Bail (2012).