13 July, 22:13

Dr. Brekka describes Manet's painting Olympia as an Impressionist portrait of the mistress of the king of France; this work, which was widely praised by the academic artistic elite, served as Manet's 'entrance' piece to the French Royal Academy. Her posture and gaze reflect traditional gestures of submission to the dominant 'male gaze'.

a. True

b. False

+1

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